Albert Hammond, Jr., '¿Como Te Llama?'pick

The guitarist for the Strokes is all grown up

By Jeff Miller

Special to Metromix
July 7, 2008

 
Critic's Rating:
4

Albert Hammond, Jr., '¿Como Te Llama?'
¿Como Te Llama?
Release date:
July 8, 2008
Artist/Band name:
Albert Hammond, Jr.
Record label:
Black Seal
Official Web Site:
http://www.alberthammondjr.com/

Backstory: Whether you loved or hated the Strokes when they broke in the late '90s, there was no denying the cool of leather-clad guitarist Albert Hammond, Jr., who wore his axe up high and was the de facto finder of the band's groovy pocket. Still, it was a surprise when his first solo record, 2006's “Yours To Keep,” debuted to mostly good reviews; “¿Como Te Llama?” is its follow-up.

Why you should care: The songs on “Yours To Keep” were more melodic than the Strokes’ sometimes drony offerings, and the fact that Hammond's released a second solo record means that this side project is more than just a lark.

Verdict: If he wanted to, Hammond could take the easy way out, making a record of tracks like “In My Room” that follow the garagey reverb-vocal-with-a-hook structure that he follows on his day job. But he doesn't, and the risks he takes all pay off. The seven-minute-plus “Spooky Couch” builds from space strings to strident electronic beats, and “Miss Myrtle” has the charmingly lazy up-beats that could only come from a stoner who spent his formative years listening to the Clash, rather than the usual Hammond stereotype of a rich kid from Brooklyn who grew up only on Iggy Pop.

X-Factor: In the two-year interim between Albert Hammond, Jr.'s solo records, the Strokes haven't released a new album. If this one hits, does that mean Julian Casablancas is out a job?

Add a comment

You will be prompted to register or log in when posting.

Please note that by clicking on "Post Comment" you acknowledge that you have read the Terms of Service. Be polite. Inappropriate posts may be removed by the moderator.

More CD reviews

More CD reviews

Our critics and readers weigh in on the latest, greatest and not so greatest.