'The Informers' reviewpick

More thought-provoking cruelty and indulgence from Bret Easton Ellis

By Matt Pais

Metromix
April 23, 2009

 
Critic's Rating:
3 1/2

'The Informers' review
Billy Bob Thornton and Kim Basinger (Credit: Senator)
Mickey Rourke as Peter in "The Informers." Jon Foster as Graham Sloan and Amber Heard as Christie in "The Informers." (Standing) Austin Nichols as Martin in "The Informers." (Front L-R) Rhys Ifans as Roger and Mel Raido as Bryan Metro in "The Informers." Billy Bob Thornton as William Sloan and Kim Basinger as Laura Sloan in "The Informers."
The Informers
Running time:
98 minutes
Rated:
R
Cast:
Billy Bob Thornton -
William Sloan
Kim Basinger -
Laura Sloan
Mickey Rourke -
Peter
Winona Ryder -
Cheryl
Jon Foster -
Graham Sloan
See full cast
Director:
Gregor Jordan
Official Movie Web Site:
http://www.theinformers.com/index.php
Overall User Rating:
3 (2 ratings)
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In 1983 L.A., drug dealer Graham (Jon Foster) struggles with a sexually open relationship with his girlfriend (Amber Heard); Graham's dad (Billy Bob Thornton) tries to have it both ways with his girlfriend (Winona Ryder) and wife (Kim Basinger); and a hotel employee (Brad Renfro) copes with a kidnapping plot forced on him by his sleazy uncle (Mickey Rourke). These and other messed-up characters have ties to the movie, TV and music industries—yet spend much more time on drugs or on each other than watching or listening to anything. And you think you've got drama with your friends and family.

The buzz: Co-writer Bret Easton Ellis ("American Psycho," "Rules of Attraction") adapted his 1994 novel to take another glassy-eyed look at youth and wealth in the '80s. While that always results in some intriguing emotional devastation, this drama arrives with considerably less urgency: Seeing as Renfro passed away January '08, "Informers" must have been sitting on the studio shelf for a while.

The verdict:
Director Gregor Jordan ("Ned Kelly") doesn't shape the ensemble story into anything, making "Informers" feel like a series of episodes instead of a complex web of detached unhappiness. Yet Ellis' characters hold it together, thanks to performances that tackle both the thrill and emptiness of celebrity and success. These are entertainment industry people unsure of how to handle their few loyalties and overdose of privilege, and the movie excels in the mysterious tension found when someone who doesn't care talks to someone who does.

Did you know? Movie exec William (Thornton) is very excited about an upcoming project about a 12-year-old who becomes President. Could anything possibly compel the American public to vote for a childish goofball not equipped to lead?

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